Exploring My Journey Into Watercolour Backgrounds and Ephemeral Journal Creations

This year has been a creative turning point for me. I discovered a new passion that has transformed how I approach my art journals: watercolour backgrounds combined with rice papers on the reverse side to create unique ephemera. This technique has opened up fresh possibilities for texture, colour, and storytelling within my journals. I want to share the process, insights, and examples from this journey so far.

Watercolour background with rice paper ephemera, close-up view of textured journal page

Discovering Watercolour Backgrounds

Watercolour has always fascinated me for its fluidity and unpredictability. Early this year, I began experimenting with creating backgrounds using watercolour washes. Instead of focusing on detailed painting, I explored layering soft washes, blending colours, and letting pigments flow naturally. This approach gave me a fresh canvas to build upon in my journals.

Some key lessons I learned:

• Start with wet paper to allow colours to blend smoothly.

• Use limited colour palettes to maintain harmony.

• Experiment with salt or plastic wrap to create interesting textures.

• Let each layer dry completely before adding the next to avoid muddy colours.

  
  

These simple techniques helped me create backgrounds that feel alive and dynamic without overwhelming the page.

Adding Rice Papers for Ephemera

The real breakthrough came when I started attaching rice papers on the reverse side of these watercolour backgrounds. Rice paper is thin, translucent, and delicate, which makes it perfect for layering. By gluing or adhering rice paper to the back, I created a subtle texture and depth that can be seen through the watercolour layer.

This method produces ephemera that:

• Adds tactile interest to journal pages.

• Creates a soft glow effect as light passes through.

• Allows for hidden layers that invite closer inspection.

• Can be torn or cut into shapes to enhance the narrative.

  
  

For example, I glued rice paper with printed text or botanical patterns behind a watercolour wash. The result was a page that felt like a secret story waiting to be uncovered.

Practical Tips for Working with Rice Paper and Watercolour

If you want to try this technique, here are some practical tips to get started:

• Use acid-free glue or gel medium to avoid damaging the rice paper.

• Apply glue sparingly to prevent wrinkles.

• Work on a flat surface and press gently to smooth out air bubbles.

• Allow the glue to dry fully before painting over the rice paper.

• Experiment with different types of rice paper: plain, printed, or handmade.

  
  

These steps help maintain the delicate quality of the rice paper while integrating it seamlessly with watercolour.

Examples of My Journal Pages

Here are some examples of how I combined watercolour backgrounds and rice paper ephemera in my journals:

• A page with a soft blue and green wash, backed with rice paper printed with vintage botanical illustrations. The rice paper’s texture shows through, adding a natural feel.

• A warm orange and pink gradient background with torn rice paper pieces layered underneath, creating a collage effect that suggests movement and warmth.

• A monochrome grey wash with rice paper containing handwritten notes on the reverse, giving the page a personal and intimate touch.

  
  

Each page tells a different story, and the combination of materials invites the viewer to explore beyond the surface.

Why This Technique Resonates With Me

This creative process feels meditative and rewarding. The unpredictability of watercolour paired with the fragile beauty of rice paper mirrors the way memories and emotions layer in our minds. It encourages patience and curiosity, two qualities I value deeply.

Moreover, this technique expands the possibilities of journaling beyond words and simple sketches. It turns each page into a small work of art that captures mood, texture, and hidden meaning.

Next Steps in My Creative Journey

I plan to continue exploring this technique by:

• Incorporating handwritten or printed text on rice paper to add narrative layers.

• Experimenting with different adhesives and finishes to enhance durability.

• Using natural dyes or pigments on rice paper before attaching it.

• Creating mixed media journal spreads that combine watercolour, rice paper, collage, and ink.

  
  

I’m excited to see how these experiments evolve and deepen my journal practice.